Mickleburgh Bath now stocking Zimmermann (Bechstein) pianos March 25, 2011

We are proud to announce that we are now extending our stock range to include further instruments from C. Bechstein who are one of the leading manufacturers of some of the finest pianos in the world. Having manufactured fine instruments since 1853, C. Bechstein build Zimmermann upright pianos in a German production facility utilsing highly skilled engineers and techniques. The design, materials, and workmanship guarantee you in a Zimmermann upright piano the best quality for discerning pianists.

C. Bechstein took over this brand in 1992, these highly regarded Zimmermann upright pianos are instruments with a beautiful voice, balance, clarity, and sustainable tone. The secret of Zimmermann’s special sound characteristics originates from the composition of selected materials, sophisticated design principles, excellent acoustic system and a meticulous process that leaves nothing to chance. Regarding their physical and musical attributes, all components are designed especially to harmonize with one another.

There is nothing like it: Zimmermann uprights are in a class of their own. At Mickleburgh pianos in Bath, we have a fantastic range of instruments to suit all budgets: whether a beginner or advanced pianist, we are here to help you find the perfect piano for your home.

Piano Lessons Top Tips #2: Learn to listen

Piano students sometimes tend to focus on what their fingers are doing (or aren’t doing) to the exclusion of everything else. If only their fingers would go where they wanted, they’d be playing Chopin etudes flawlessly in no time. Au contraire! Your fingers can only go where the ear tells them to. If you can’t sing the notes, if you can’t imitate a musical gesture with your voice (and also silently, in your imagination) you will be stuck playing mechanically.

But don’t despair if this seems like a foreign concept to you— it can be learnt at any age! It will, though, take dedicated practice. Just as you must practice scales regularly and rejoice in each incremental improvement you see, you must also practice listening, imitating, and making sound with your voice.

1. Play by ear. Pick a song, any song. I quite often start adult students on Christmas carols. (More on this in a later post)

2. Imitate. If you can’t play or sing the notes, follow an outline. Mockery will get you everywhere.

3. Sing back a song you know— all the way through. Can you remember all the details? Melodic lines? Words to all the verses?

And remember, if this is a new skill, it will take time. Be patient with yourself and cultivate time and space where you’ll feel comfortable listening and imitating and playing with this way of making music.